I have always been interested in memory. In my writing practice, I cannot divest memory from culture and inheritance. Obvious personal entry points are the iconography of La Virgen de Guadalupe whose portrait hangs in the house of all my elder family members, or the distinct food culture of my maternal northern México…

Xandra Sunglim Burns responds to Charlene Kaye’s show ‘Tiger Daughter or: How I Brought My Immigrant Mother Ultimate Shame’, on music, mothers, and breaking the generational curse of assimilation and propriety.

Arusa Qureshi

Beyond the constructs and confines of gender, the divine feminine exists deep within us all. It’s the energy that allows for compassion, nurturing and devotion; an embracing of softness and stillness in all its varying guises. In Danny Bailey’s short film Soft Bwoi, the notion of the divine feminine is beautifully encapsulated through the use of folklore and imagery from Caribbean carnival culture and queerness.

Asyia Iftikhar responds to Space 2: We’ve Come A Long Way, a music and visual experience by Paix and a Fringe of Colour 2021 Commission.

Andrés N Ordorica responds 5 WAYS 2 RUN, a Jasmine Kahlia Multidisciplinary Installation Piece featuring original electrifying music, spoken word and striking citscapes.

Elete N-F responds to CLUB, a vibrant exploration of queer black women forging space for themselves against the landscape of London's nightlife, by Esme Allman.